Art 212: Topics in Drawing (Do It Again)

I’m writing this in 2022,three years after completing this undergrad drawing class. This was the second class I took with the amazing artist and teacher, Diana Frid. The theme of the class was repetition and iteration, which I really enjoyed.

Our first assignment was to draw 2 self-portraits as non-human entities. I chose “family” and “a song that gets stuck in your head.” The first piece is made from a piece of clothing from each member of my family. I like how the log cabin block shows the four quadrants… we’re all our own people, taking up our own space and living our own lives. yet we’re indelibly stitched together. The record is a pretend single for a song I often had in my head at the time, Being Alive by Frankie Cosmos. If you look closely you can see a stenciled version of my face in watercolor. The record itself is cardboard, with a quilt block label, lots of circles stitched by machine, and lots of hand-drawn circles and lyrics.

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The next assignment was based on Richard Serra’s “Verbalist.” I chose the following prompts from his list of verbs: to layer, to collect, to dapple, to weave, and to fold/to reflect.

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I focused further on the verb “to collect” for my next two pieces. For the first one, I did crayon rubbings of several of my many collections (enamel pins bottle caps, patches, rocks, my grandma’s iron trivets, etc). Then under each one I wrote the stories of the collections. I considered presenting this as a book and I still think I might do that. For the second one, I was thinking of something collecting in a pool, like raindrops… I eventually thought about marbles collecting at the end of a marble maze. I constructed this out of cardboard and tape, keeping it as spartan as I could so the structure could have strong, simple lines like a drawing. Instead of marbles I used tiny pieces of rolled vellum, on which I had written (collected) my thoughts during the days I was working on the project. By rolling these through the “marble run” instead of marbles, I attempted to crate a metaphor for the way thoughts run through our minds. They may or may not take the expected path, and in the end they can be collected and removed if we choose to recognize them as simply thoughts, not intrinsic parts of ourselves. That’s my study of meditation coming in . Mostly it was really fun to try to roll tiny floaty pieces of paper down this thing.

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A third and final piece for the prompt “to collect.” I made even more of the velum strips and created this textile piece where they could pool and collect in the little pockets created by fabric and a few stitches. The strings could also be removed, which would change where the pieces of velum were collecting.

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For our midterm we had to make two pieces that were responding to the work of another artist. I chose Jacob Hashimoto. The Oak Park library has a piece of his that I have always loved. I find his work to be extraordinarily beautiful. He works with modular units like thousands of paper kites. As a quilter I work with block units all the time, but wanted something that could also have a layering effect and some transparency, to put the pieces in conversation with Hashimoto’s work. I decided to use the 6-minute circle technique used by quilters, but to stop before the holes were filled and use them as open frames. In the first piece I was thinking mostly about color in a landscape. In the second I was thinking about passage of time, change, and the fog of memory.

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For our next assignment we were asked to make fabric collages. I decided patchwork should count, and I cheated a little by using the opportunity to make progress on a quilt I had already planned to make. I did add some additional elements that were just for my drawing class, so I didn’t feel too bad. Eventually these patchwork panels did make their way into a finished quilt but it took a few years.

This piece was a bit of a joke about a certain novelty ice cream treat I can’t stop eating, then swear I’ll stop eating, but oops I can’t actually stop eating (the text reads, “The last box. For real this time”). I added the transparent grid element over the patchwork to further explore something that happened in the previous piece, a layering affect with unpredictable results. I wasn’t sure what was going to come through/be visible until I installed the piece.

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Finally, my last project of the semester was this artist’s book about the experience of giving birth. I’m not sure why it occurred to me to make my book about birth, but I felt like this work just flowed out of me so I guess it was the right subject to choose. I learned how to bind a book for the first time, using a single sheet binding technique. I wrote the text first, then created the collages, then put everything together. The circles in the front and back of the book go from 1 to 10 centimeters, representing the opening of the birth canal. I love how this book turned out, it’s a very special object to me.

Looking back at all these projects makes me miss taking art classes. I loved being challenged by each new assignment and seeing myself in new ways as an artist. I hope someday I can dedicate more time to art making.

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Sun Coming in the Windows

I made this at the end of 2019 as the final project for a photography class I was taking in undergrad. I quilted it in time for the deadline but was never totally happy with the finish. Finally last year I ripped out and redid the quilting. Now I’m happier and it’s officially done.

I can’t remember if we had a prompt or any parameters for the final, but this is what I did: took pictures on my phone of some of my favorite objects, textures, and shapes in my house, had them printed onto fabric and then made them into simple patchwork. I named it Sun Coming in the Windows and it’s an ode to feeling safe at home. 30”x29”

Sun Coming in the Windows, 2021

Sun Coming In the Windows, detail

Sun Coming In the Windows, detail

Sun Coming In the Windows, detail

Back in Therapy (Increased Surface Area)

This piece was created in the summer of 2021. The patchwork came together quickly and intuitively, kind of a like a sketch. I didn’t originally intend to leave the threads exposed; I planned to bury them, but as I kept pushing them out of the way, stroking them all in the same direction, I decided they looked so interesting that I would leave them out (but tack them down with quilting). I don’t know if I invented this thread technique (probably not) but it was new to me and exciting. For this piece I was thinking about the different types of energies I experienced during Covid, surges and waves in all directions, some that buried me and others that lifted me up. I was thinking about the weight of it all eventually getting on top of me and making me realize I needed some help which led me to seek therapy after a long hiatus. Being a student of anatomy right now, these thread rays (as my friend Jenni Grover brilliantly named them) also reminded me of microvilli, structures that increase the surface area of a cell. This resonated too, as I certainly felt like my surface area increased this year and as a result I was more vulnerable to stress and irritation. I often felt stretched, flat out, on edge, like my nerves had nerves (not anatomically possible but you get the idea). It’s called Back to Therapy. Measures 21”x28”.

This piece was part of the virtual exhibit Maternochronics, put together by the talented Emily Zarse and focusing on maternal exhaustion. It also hung in the show Moments Like This, juried by Jessica Bingham, at Women Made Gallery.

What's Up, You Cool Baby?

In September of 2020 I had the opportunity to film a few segments for Fresh Quilting. I was so nervous! I planned my segments. I practiced a lot, over zoom with some good friends. I drove to Ohio and fretted about COVID. It all ended up fine. I was a bit doe-eyed and tongue-tied during my segments but I gave it my best shot! It definitely pushed me out of my comfort zone and I’m glad I did it.

One of my segments focused on making simple patchwork letters using curves, triangles, and squares. This quilt was used to demonstrate the technique on the show. When we filmed, it was in progress so I could show how I put the blocks together. Later, I finished piecing it and decided to quilt it by tying. I had tied one quilt before, using embroidery floss. This time I wanted to try yarn that would felt up and make a little poof. I ended up tying it on both sides. I also added x’s across the quilt and handquilting around the stars. I love how all the handwork looks together.

The color palette came from a print I love: Clementine by Melody Miller. The stars are made in a style I learned from Gwen Marston in her book Liberated Quiltmaking II (one of my favorite quilt books ever). I have zines for sale that show you how to make these curvy patchwork letters. The phrase, “What’s up, you cool baby?” comes from a favorite podcast, My Brother My Brother and Me. I got a kick out of putting it on a baby quilt. Measures 43”x48”, final photos by Mitch Hopper.

What’s Up, You Cool Baby? 2020

me on the set of Fresh Quilting

sketchbook showing sketch and color palette

detail

detail

back

label

label

Tie technique! I used the grid method from Sherri Lynn Wood’s excellent book. It’s cool. Basically you make lines across the quilt, taking small stitches every so often, one direction, then another, making a grid across the quilt. You can cut the yarn where it intersects, and then you’re ready to tie knots. I did two grids on the back of this quilt because I wanted lots of ties and I wanted to stagger them. I did one grid on the front, much less densely tied on that side. The last two pictures show ties before and after washing. These fuzzy wool ties remind me of wild tufts of troll hair. I thought they’d make tidy little balls but they had their own plans.

tying the quilt

grid method of tying

grid method of tying a quilt

clipping the grid

ties before washing

ties after washing

Table Runners featuring my Grandma's Doilies

When my grandma passed in 2016 many of her sewing supplies, projects, and textiles came to live with me, including a pile of very finely constructed doilies. I had an idea to put them on quilts for my family members, but four years later those doily quilts hadn’t made it to the top of my to-do list. It finally occurred to me that table runners might be just as appreciated and a far more attainable goal for me. I spent a week working steadily on these (and one for myself that is almost done) and finished them just in time for gift giving. They were opened over video call in true 2020 style.

I felt a little uneasy about cutting these lacy things that had clearly taken a lot of time and care to make. But I finally decided to go for it... Doilies aren’t exactly popular as home decor these days, and I thought chopping them for these runners was a better fate for them than staying packed away in boxes or drawers. Hopefully these runners will get plenty of use. And I think they really highlight her work. I hope she would approve.

I quilted these (very densely!) on my Juki. I wanted all the sections to get tacked down to prevent any snags during use. Lots of imperfect, organic echo quilting. Took a lot of time and thread, but I love the effect.